Intellijel Atlantis Uživatelský manuál Strana 1

Intellijel ATLANTIS Illustrated supplement by Demonam

set OCTAVE range set FINE frequency Cn to Cn+1 Primary VCO OUTPUTS Initial Primary VCO range is ~16Hz (0.063 sec.) to 1000Hz (audio). You can expand

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 03 03 - OBOE Setting the FREQ and the RES knobs in the VCF and the PULSE W

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 04 04 - TRUMPET There will be a delicat change of the tone color by slight

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 05 05 - HORN There will be a delicat change of the tone color by slightly

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 06 06 - TUBA Play with the TRANSPOSE switch DOWN. The setting of the attac

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 07 07 - VIOLIN By adjusting the FREQ into the VCF, you can produce both so

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 08 08 - ELECTRIC BASS GUITAR Play with the TRANSPOSE switch set to L. The

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 09 09 - HARPSICHORD The tone color alters drastically depending how you se

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 10 10 - ELECTRIC PIANO I The tone color is determined by the setting of t

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 11 11 - ELECTRIC PIANO II Adjust the depth of the growl by using the MOD

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 12 12 - ACCORDION The tone color varies depending on the mixing portions o

SUB out is affected by SUB OSCillator switch position in the MIXER section. SUB can be 1 or 2 octaves down relatively to the Primary oscillator freque

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 13 13 - XYLOPHONE Setting the FREQ and the RES knobs in the VCF is importa

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 14 14 - VIBRAPHONE The tremolo effect is obtained by this setting of the M

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 15 15 - GLOCKENSPIEL Pay special attention to the setting of the FREQ and

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 16 16 - CLAVES Pay attention to the setting of the FREQ in the VCF, and th

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 17 17 - SYNTHE DRUM Also, it might prove interesting to set the WAVE

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 18 18 - FUZZ GUITAR The impression of the sound varies depending how you s

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 19 19 - FUNKY The tone color widely alters by adjusting the FREQ and the E

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 20 20 - JAZZ ORGAN I To add a key click sound, control the VCF with the AD

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 21 21 - JAZZ ORGAN II The self-oscillation of the VCF is the sound source

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 22 22 - EFFECT SOUND I Adjust the Decay time and the Release Time in the E

+5V -5V t +5V -5V t +5V -5V t MAX MED MIN Pulse WIDTH produces a square wave at middle slider position. Note that the pulse doesn’t disappear at the m

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 23 23 - EFFECT SOUND II The VCO is modulated with the Noise. Adjust the MO

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 24 24 - FUNNY CAT It is most desirable to play in a non-legato manner. Set

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 25 25 - PULSAR The tone color varies drastically depending on the position

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 26 26 - GONG The tone color varies drastically depending on the position o

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 27 27 - FUNKY BASS The tone color changes drastically depending how you se

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 28 28 - SYNTHE VOICE Adjust the FREQ in the VCF as you like. Also, it migh

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 29 29 - WHISTLE It may be interesting to add a vibrato effect by using the

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 30 30 - BARKING If setting the Sustain Level in the ENV to around 7, you c

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 31 31 - CHIRPING It makes the sound more realistic to slowly move the RATE

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 32 32 - WIND (Turn the HOLD button on.) The impression of the sound varies

Pulse width can be adjusted by both the manual slider setting and the PWM signal. The PWM switch selects the source for the pul

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 33 33 - SURF (Turn the HOLD button on and) adjust the MOD end the ENV knob

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 34 34 - STEAM LOCOMOTIVE (Turn the HOLD button on.) The impression of the

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 35 35 - MACHINE GUN Setting the FREQ end the RES knobs in the VCF is a del

SPACE SOUND I out PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 36 36 - SPACE SOUND I It may be interesting to set the A

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 37 37 - SPACE SOUND II (Turn the HOLD button on.) If you turn up the [PWM]

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 38 38 - BOAT By pressing the lowest key, you can obtain the most realistic

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 39 39 - THUNDER THUNDER out

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 40 40 - RANDOM NOTES RANDOM NOTES out

+5V -5V t PWM chart - MODulator cancelling scan Primary VCO section - 07 +5V -5V t +5V -5V t +5V -5V t +5V -5V t +5V -5V t +5V -5V t MAX MED MIN +5V -

MODulator square wave +5V -5V t The SYNC switch allows the Primary VCO to be hard-synchronized to an external source or or the square wave from MODula

Hard SYNC chart - WAVES Primary VCO section - 09 +V -V t +5V -5V t +5V -5V t +V -V t +5V -5V t +5V -5V t +5V -5V t Synced sync signal Slower sync sig

Hard SYNC chart - SUB Primary VCO section - 10 +V -V t +5V -5V t +5V -5V t +V -V t +5V -5V t +5V -5V t +5V -5V t Primary VCO frequency Slow sync sign

MOD bus as control over Primary VCO frequency, according to its slider position. You can make LIN FM or EXP FM, determined by the EXP/LIN switch posi

EXP/LIN MOD response chart Primary VCO section - 12 +V -V t +V -V t +V -V t +V -V t +V -V t +V -V t LINEAR response +V -V t +V -V t +V -V t EXPONENTIA

Index 01... Introduction - part 1 02... Introduction - part 2 03... Introduction - part 3 04... Hard-linked synth voice Primary VCO section 01... Ove

MODulator section

The MODulator section is a triangle-core LFO/VCO that produces sine, triangle, saw, square waveforms combined with noise and Sample&Hold generator

Sine, triangle, saw, square, Sample & Hold and noise (white or pink) are available at the MODulator outputs. SQUARE 10Vpp +5V -5V t +5V -5V t +5V

MODulator range is ~0.01Hz (100 sec.) to ~200Hz (audio) in LFO mode and ~1Hz (1 sec.) to ~20kHz (audio) in VCO mode (you can e

PINK NOISE equal energy per octave NOISE Audio illustration dB f dB f +5V -5V t WHITE NOISE equal energy per hertz NOISE generator can produce WHITE o

+5V -5V t +5V -5V t S&H OUT S&H INPUT Noise generator +5V -5V t S&H CLOCK Normalled to square Sample & Hold input is linked to the noi

external SYNC source +5V -5V t The SYNC input allow the MODulator to be hard-synchronize to an external sync source. Because SYNC affects square wave

Hard SYNC chart - part 1 MODulator section - 07 +V -V t +5V -5V t +5V -5V t +V -V t +5V -5V t +5V -5V t +5V -5V t Synced sync signal Slower sync sign

Hard SYNC chart - part 2 MODulator section - 08 +V -V t +5V -5V t +5V -5V t +V -V t +5V -5V t +5V -5V t Synced sync signal Slower sync signal SQUARE

+5V -5V t +5V -5V t MODulator LINK engaged Primary VCO Base frequency +5V -5V t MODulator Base frequency With the LINK switch engaged you can set the

The Atlantis is heavily inspired by the architecture and sound of the classic Roland SH-101. It has always been one of our favorite synths and we rea

external MOD signal external MOD signal The MODulator section outputs are normaled to Primary VCO, MIXER and VCF sections. You can use MOD inputs of V

MIXer section

In the MIXer section you can mix up to 5 channels fed by 9 differents sources : pulse, saw, SUB OSCillator -1OCT, SUB OSCillator -2OCT, SUB OSCillator

Pulse, saw, SUB OSCillator, noise and sine (or EXTernal INput if patched) channels are available in the MIXer section. Mixed waveforms MIXer section -

SUB OSCillator switch in the MIXER section sets the sub OCTave value. SUB can be 1 or 2 octaves down relatively to the Primary

NOISE generator can produce WHITE or PINK noise, depending on the position of the related switch in the MIXer section. NOISE channel MIXer section - 0

EXTernal INput allows you to use an external signal in the MIXer section. Note that of nothing is patched at the EXT IN, the SINE wave from the the Pr

All the 5 channels of the MIXer section are summed and routed to the VCF section. This normal can be broken by patching an External INput signal into

VCF section

The Voltage Controlled Filter section consists of a combination of 3 types of filter (Low-Pass, Band-Pass and High-Pass) switchable to 2 different sl

In the mixer section you can adjust the balance of the primary oscillators waveforms including a sinewave which is normalled to the EXT IN jack. You c

+V -V freq. +V -V freq. cutoff frequency cutoff frequency Low-Pass 2-POLE VCF section - 02 Low-Pass 2-POLE out set 2-POLE slope External INput signal

+V -V freq. +V -V freq. cutoff frequency cutoff frequency Band-Pass 2-POLE VCF section - 03 Band-Pass 2-POLE out set 2-POLE slope External INput signa

+V -V freq. +V -V freq. cutoff frequency cutoff frequency High-Pass 2-POLE VCF section - 04 High-Pass 2-POLE out set 2-POLE slope External INput signa

Low-Pass 4 -pole (24 dB/OCTave) mode. Increase of RESonance will decrease signal input level. Low-Pass 4-POLE VCF section - 05 Low-Pass 4-POLE out Ext

+V -V freq. +V -V freq. cutoff frequency cutoff frequency Band-Pass 4-POLE VCF section - 06 Band-Pass 4-POLE out External INput signal Band-Pass 4-pol

High-Pass 4-pole (24 dB/OCTave) mode. Increase of RESonance will decrease signal input level. High-Pass 4-POLE VCF section - 07 High-Pass 4-POLE out E

Low-Pass 2-POLE BOOST VCF section - 08 Low-Pass 2-POLE BOOST out set 2-POLE slope External INput signal set LP BOOST +V -V freq. +V -V freq. cutoff fr

Low-Pass 4 -pole (24 dB/OCTave) BOOST mode. With the LP BOOST switch engaged, increase of RESonance will not cause signal input drop down. Low-Pass 4-

pitch CV MIDI/CV CONVERTER You can track filter's cutoff frequency up to 1V/OCTave, depending of the 1V/OCT slider position, which is normaled to

All type of filter (Low-Pass, Band-Pass and High-Pass will self-oscillate for a RESonance slider set at last to mid position. Self-oscillation VCF se

The filter section is a Roland style cascaded 4 pole multimode filter with LP, BP and HP modes. The LP Boost switch engages a special mode useful for

pitch CV MIDI/CV CONVERTER The clean sinewave produced by VCF in self-oscillation state can be used as a safe-scale oscillator. You can control it at

Amount of frequency modulation applied to the VCF cutoff frequency can be set with the MOD slider, that's acting as an attenuator for the MOD inp

The cutoff frequency is normalled to the ENVELOPE section generator. Set the amount of ENVELOPE modulation with the ENV slider, and

ENVELOPE section

GATE signal +8V -8V t ON OFF 0/-8V range out +8V -8V t Attack Decay Sustain Release The ENVELOPE section is an ADSR generator with two timing rang

The range switch allows you to select fast x1 or slow x10 time range for ADSR generator. You can expect an approximative 6.5 time factor between tho

0/-8V range out +8V -8V t ON OFF GATE signal +8V -8V t ON OFF GATE signal input and manual GATE button from VCA section are combined in a logic OR r

re-TRIGger ENVELOPE section - 04 Decay stage re-triggering - Positive ADSR out illustration +8V -8V t ON OFF +8V -8V t ON OFF TRIG +V -V t ON OFF

AD cycle +8V -8V t ON With the CYCLE switch engaged, ENVELOPE will self-cycle. It can range from LFO rate right up to audio rate in the kHz range depe

AD cycle - MID Sustain +8V -8V t ON CYCLE mode - Sustain offset ENVELOPE section - 06 AD cycle - No Sustain +8V -8V t ON AD cycle - MAX sustain +8V -

04 Hard-linked synth voice Here is a simplified representation of hard-linked voice of the Atlantis, that can be use as a full-featured classic synth

+V -V t ON OFF Fire ADSR ! - part 1 ENVELOPE section - 07 ENVELOPE triggering - Sustain OFF - CYCLE mode OFF +8V -8V t A D +8V -8V t ON OFF +8V

Fire ADSR ! - part 2 ENVELOPE section - 08 ENVELOPE triggering - Sustain OFF - CYCLE mode ON +8V -8V t A D +8V -8V t ON OFF +8V -8V t A D +8V -

Fire ADSR ! - part 3 ENVELOPE section - 09 ENVELOPE triggering - Sustain ON - CYCLE mode OFF +8V -8V t A D S +8V -8V t ON OFF +8V -8V t A D S

Fire ADSR ! - part 4 ENVELOPE section - 10 +8V -8V t A A ENVELOPE triggering - Sustain ON - CYCLE mode ON +8V -8V t ON OFF A D R D D A +8V -8V t

0/-8V range out +8V -8V t 0/+8V range out +8V -8V t GATE signal +8V -8V t ON OFF The LEVEL input acts as Control Voltage input (0-5V input for 0-8V A

+8V -8V t +8V -8V t 0V LEVEL in +8V -8V t +2.5V LEVEL in +5V LEVEL in POSITIVE ADSR envelope +8V -8V t +8V -8V t 0V LEVEL in +8V -8V t +2.5V LEVEL in

GATE control +8V -8V t ON OFF You can use any MIDI controller (like a keyboard) coupled with a MIDI CV converter for controlling GATE, re-TRIGger and

The ENVelope section outs are normaled to Primary VCO PWM, VCF cutoff and VCA level, in the related sections. Note that you can

VCA section

The Voltage Controled Amplifier is the final stage of the Atlantis signal path. The input of this section is normaled to the VCF section out. You can

Primary VCO section

The input of VCA section is normaled to the VCF section out. The control voltage of amplification is normaled to the ENVelope section (out an

The input of the VCA section is is normaled to the VCF section out. The control voltage of amplification is normaled to the ENVelope section (out and

VCF out - sine exemple +5V -5V t The input of VCA section is normaled to the VCF section out. The control voltage of amplification is normaled t

Patches & Tips

Patches & Tips - 01 HOLD output - Mirrored offset generator HOLD OUT For holding VCA main output without GATE signal or GATE switch, set ENVELOP

Patches & Tips - 02 Primary VCLFO You can go to LFO range with the Primary VCO. To do this just apply a negative voltage to the MOD input of the P

Patches & Tips - 03 Pseudo-digital noise You can get a kind of digital noise by clocking Sample&Hold of MODulator at audio rate. Just set MODu

Patches & Tips - 04 Four layers patch Massive four oscillators layer can be generated by stacking primary, SUB , MOD and VCF sine VCOs. With the

PITCH CV GATE/TRIG VELOCITY keyboard controller Patches & Tips - 05 Keyboard controller Use a keyboard controller to get control over pitch tra

PITCH CV GATE CV sequencer arp. Patches & Tips - 06 Arpegiated sequence (Danjel van Tijn) Control Primary VCO and VCF at 1V/OCT with an arpeggia

set frequency MODulation level The Primary VCO section consists of a triangle-core VCO that produces pulse, saw, sine and sub waveforms. You can frequ

PITCH CV GATE CV Patches & Tips - 07 Longer notes played from keyboard (Danjel van Tijn) Play longer notes with a CV keyboard. Longer notes OUT

PITCH CV GATE CV Patches & Tips - 08 S&H modulation of VCF (Danjel van Tijn) Set MODulator section on S&H and adjust MOD slider in VCF s

PITCH CV GATE CV Patches & Tips - 09 PWM+SUB (Danjel van Tijn) Pulse with PWM layered with -1 Octave SUB. PWM + SUB OUT keyboard controller

PITCH CV GATE CV Patches & Tips -10 Dual VCO pads - part 1 (Danjel van Tijn) SAW from MOD VCO patched to EXT IN to create a dual VCO. MOD link i

PITCH CV GATE CV Patches & Tips - 11 Dual VCO pads - part 2 (Danjel van Tijn) Add a third layer with -1 Octave SUB to the dual VCO stack. Dual V

PITCH CV GATE CV Patches & Tips - 12 VCO FM (Danjel van Tijn) Use the MOD oscillator FM the primary VCO. Try EXP or LIN frequency MODulation res

PITCH CV GATE CV Patches & Tips - 13 Bell tones - part 1 (Danjel van Tijn) Use LINK to maintain a constant FM ratio. This is great for classic a

PITCH CV GATE CV Patches & Tips - 14 Bell tones - part 2 (Danjel van Tijn) Add in self-oscillating VCF for an additional sine wave. Bell tones

PITCH CV GATE CV Patches & Tips - 15 Bell tones - part 3 (Danjel van Tijn) Add Noise and Attack time to get spaced noisy bell tones. Bell tones

PITCH CV GATE CV Patches & Tips - 16 Hard SYNC - part 1 (Danjel van Tijn) Primary VCO is HARD SYNCED to the MOD VCO. HARD SYNCED OUT sequencer

4 waveforms are available at Primary VCO outs : pulse, saw, sub octave (1 or 2, depending of SUB switch position in MIXER section) and sine. Those ou

PITCH CV GATE CV Patches & Tips - 17 Hard SYNC - part 2 (Danjel van Tijn) Add SAW form more fatter out. HARD SYNCED OUT sequencer arp.

PITCH CV GATE CV Patches & Tips - 18 Manual gate (Danjel van Tijn) Using the manual gate button to trigger the envelope. GATE triggered OUT sequ

PITCH CV GATE CV Patches & Tips - 19 Kick drum patch - part 1 (Danjel van Tijn) KICK DRUM PATCH : envelope out patched to VCO mod input. KICK DR

PITCH CV GATE CV Patches & Tips - 20 Kick drum patch - part 2 (Danjel van Tijn) Add a filter noise layer for more snap. KICK DRUM OUT sequencer

Patches & Tips - 21 Self-cycling patch - part 1 (Danjel van Tijn) External trigger removed and envelope in CYCLE mode. Self-cycling OUT

Patches & Tips - 22 Self-cycling patch - part 2 (Danjel van Tijn) External trigger removed and envelope in CYCLE mode. Self-cycling OUT

Patches & Tips - 23 Space communication one Create feedback random GATEs with S&H out patched to MOD 1V/OCT input. MODulator RATE and FINE se

SH-101 original patches IMPORTANT NOTE : Those patches are direct raw conversion from patches the original SH-101 manual (sliders positions

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 01 01 - FLUTE Setting the FREQ in the VCF is critical. Adjust the depth of

PITCH CV GATE/TRIG VELOCITY keyboard controller SH-101 original patches - 02 02 - CLARINET The impression of the sound can be varied by adjusting th